Leaning on the everlasting arms

We sang that old hymn at the dockside service at Lakeside last Sunday, Sept. 4. Published in 1887, it tells of the assurance of God's steadfast care and guidance in tough times, and offers the peace of a relationship with him. I grew up in the Church of the Brethren where I don't recall we sang anything that had a beat--and then in 1974 became a Lutheran and they missed out on those twangy camp songs too, being mostly ethnic Scandinavians (in our synod). The first time I heard it was in Flat Creek, Kentucky in 1956 where my sister Carol was a volunteer church worker through Brethren Volunteer Service. Because she was only 19 at the time, and I was her "little" sister, I was stunned at the level of spiritual and social responsibility she had. Like riding horseback into the mountains to provide Sunday school in areas that had no passable roads; working in the garden and taking care of chickens (and plucking them) for food for the staff (I think there were 5 people living in a little house); helping the local women with sewing and. . . leading hymns like this one. In that area of the country it was sung like a dirge and a capella--not peppy and clappy the way we did it at dockside with an electronic organ. Carol went to be with the Lord in 1996, but everytime I hear "Leaning, leaning, safe and secure from all alarms; leaning, leaning, leaning on the everlasting arms," I think of that amazing, fearless teen-ager. Now I keep track of her 5 grandchildren (4 teens) on Facebook, Will, Jenny, Rachel, Catie and Chris.

Carol's BVS unit 1955. Wearing white blouse, looking between two women in the second row. She also helped flood victims in Pennsylvania, canvassed a neighborhood in Denver for a church plant, and was a "guinea pig" for the NIH. In 1957 she entered Goshen College in Indiana where she got her RN.

Hymns and praise choruses--the difference

A Funny Little Story About Hymns and Praise Songs~
By: Author Unknown
Seen at Maiden in the House of God

An old farmer went to the city one weekend and attended the big city church. He came home and his wife asked him how it was.

"Well," said the farmer. "It was good. They did something different, however. They sang praise choruses instead of hymns."

"Praise choruses?" asked the wife. "What are those?"

"Oh, they're okay. They're sort of like hymns, only different," said the farmer.

"Well, what's the difference?" asked the wife.

The farmer said, "Well it's like this ... If I were to say to you, 'Martha, the cows are in the corn,' well that would be a hymn. If, on the other hand, I were to say to you,

'Martha, Martha, Martha,Oh, Martha, MARTHA, MARTHA,the cows, the big cows, the brown cows, the black cows,the white cows, the black and white cows,the COWS, COWS,COWS are in the corn,are in the corn, are in the corn,in the CORN, CORN, CORN, COOOOORRRRRNNNNN,'

then, if I were to repeat the whole thing two or three times, well that would be a praise chorus."


~As luck would have it, the exact same Sunday a young, new Christian from the city church attended the small town church. He came home and his wife asked him how it was.

"Well," said the young man, "It was good. They did something different, however. They sang hymns instead of regular songs."

"Hymns?" asked the wife. "What are those?"

"They're okay. They're sort of like regular songs, only different," said the young man.

"Well, what's the difference?" asked the wife.

The young man said, "Well it's like this ... If I were to say to you, 'Martha, the cows are in the corn,' well that would be a regular song. If on the other hand, I were to say to you,


'Oh Martha, dear Martha, hear thou my cry
Inclinest thine ear to the words of my mouth.
Turn thou thy whole wondrous ear by and by
To the righteous, glorious truth.

For the way of the animals who can explain
There in their heads is no shadow of sense,
Hearkenest they in God's sun or his rain
Unless from the mild, tempting corn they are fenced.

Yea those cows in glad bovine, rebellious delight,
Have broke free their shackles, their warm pens eschewed.
Then goaded by minions of darkness and night
They all my mild Chilliwack sweet corn chewed.

So look to that bright shining day by and by,
Where all foul corruptions of earth are reborn
Where no vicious animal makes my soul cry
And I no longer see those foul cows in the corn.'

Then, if I were to do only verses one, three and four, and change keys on the last verse, well that would be a hymn."

Where cross the crowded ways of life

is an urban, gritty hymn, with a "social justice" theme. We sang it this morning in our traditional service, but it didn't seem to fit the sermon theme--Acts 24:10-27, Paul's encounter with his enemies and his imprisonment for the Gospel. You've all heard the tune, I'm sure. If not, sit back and enjoy this--it will come back to you.



There's a long list of humanity's problems in this hymn,

cries of race and clan

noisy selfish crowds

wretchedness and need

dark spaces of fear

paths that lead to greed

helpless children

grieving women

toiling men

famished souls

deep sorrow

multitudes longing

restless throngs

but no solution, no mention of Jesus by name, his miracles, his sermons, the cross, his death for our sin, the resurrection. No gospel. It's Jesus of the tender heart and compassionate face, with tears on our behalf. The writer, Frank Mason North, 1850-1935, offers the familiar "follow the Master" solution, "Till glorious from thy heaven above, Shall come the city of our God."

Except for the music this hymn wouldn't rouse a wild eyed poverty pimping Father Pfleger or a mild mannered conservative Lutheran.

Hymns for Memorial Day

We're at our cottage in Lakeside, Ohio, for the holiday week-end. Although I always load the car with more books and magazines than I'll ever read (because I'm supposed to be cleaning and preparing for the summer), I scan the cottage bookcase for neglected items. My Lakeside shelves are a bit different than those at home, and one book I have here is The Methodist Hymnal (c.1964). I picked it out of a free box at a book sale about 5 years ago. The Methodists of the 18th and 19th centuries had a huge influence through revivals and the Awakenings on all American denominations. At least until the "contemporary" music took over for Sunday worship, the hymnody of the Methodists bound us all together. The early Lutherans in America absorbed many English hymns into their tradition as they lost their European roots, particularly those written by the Wesleys. This hymnal has about 80 hymns by Charles Wesley and 8 by John Wesley.

Most hymnals have special indices and appendices to aid the musical director or pastor in planning themes. This one has a category "Memorial Day," Although nothing for July 4 or even Christmas or baptism. Since this is Memorial Day week-end (the "real" day is May 30 and there was a bill introduced about 9 years ago to restore it to that date since so many Americans have no idea what the holiday is about) I'll list them. I haven't gone through every tune and verse, but these hymns are rousing and unspecific. I think they could be sung in any country for any war dead.

Eternal Father, strong to save

Father eternal, Ruler of creation

For the might of thine arm

God of grace and God of glory

God of our father

God, the Omnipotent

Judge eternal, throned in splendor

Lord, while for all mankind we pray

Mine eyes have seen the glory

My country, 'tis of thee

Not alone for might empire

Now praise we great and famous men

O God of earth and altar

O Lord, our fathers oft have told

These things shall be

This is my song

Turn back, O man

I don't know how many hymns G K Chesterton (1874-1936) composed--he was a British critic, poet and a novelist--but I think I've read that "O God of Earth and Altar" was a response to the terrible carnage of WWI, where 5-10,000 men could be lost in one battle that won nothing. Don't quote me, because I can't find a source. He became a Roman Catholic late in life.

O God of earth and altar,
Bow down and hear our cry;
Our earthly rulers falter,
Our people drift and die;
The walls of gold entomb us,
The swords of scorn divide;
Take not thy thunder from us,
But Take away our pride.
Hymns that include no theology or Christology, no atonement, no resurrection, no gospel, can easily be sung by almost any group or nation or faith because they focus on the general condition of all mankind--faltering rulers, love of money, general nastiness, and pride.

What will society tolerate?

Last night's book club selection was Steve Turner's "Amazing grace; the story of America's most beloved song," with a lively discussion led by Marcy and hosted by Adrienne, follwed up with tape and CD recordings of the hymn by Judy Collins, Aretha Franklin, Mahalia Jackson, the Royal Scots Dragoon Guards, and B. J. Thomas and others. The first half of the book is about the life of John Newton, and the second about the life of the hymn as it made its way through, hymnals, camp meetings, revivals, recording studios and parodies. The book dispells myths about both. John Newton didn't come to Christ and then recognize that slavery was nasty. He became a part in the lucrative slave trade after his conversion. And the most familiar tune setting doesn't have African roots--it's mostly likely Scottish, but no one really knows. Newton would have his morning devotions and Bible reading on board the slave ship with the stench and cries of helpless people wafting from below. So the question in our "enlightened" generation is always, How could he not know what he was doing was wrong? Turner replies to the reader on p. 61

"Slavery was as acceptable as abortion is today--it was legal, it had immediate and tangible benefits, and people predicted wide spread calamity should it ever be banned. There was no social pressure for him to feel shame."

Or, what about the millions of Africans who have died from malaria with the banning of DDT the last 30 years? More deaths than the transatlantic slave trade ever caused. Why wasn't it left on the market until another product could be developed to destroy mosquitoes? In the economy of environmentalism, birds were more important than children. Or closer to home. Thousands of lives could be saved each year if the legal driving age were raised just a year or two. Who or what has a vested interest in this? Who decided 16 year olds could be trusted with the family car? It's a mystery for Christians and non-Christians both, isn't it?

There are some things that just cause no societal shame in every era.

Using a hymnbook for devotions

We do not use the 1995 "With One Voice" hymnbook in our Sunday worship at UALC. In fact, we rarely use a hymnbook at all since the words of the hymns are cast on a screen (I don't like this, but someone thought Lutherans needed to have their hands free of books--smile). I'll address the Confession at a later time after I've done a little research. I checked out a copy from the church library. A few of the hymns are . . . underwhelming. Others fresh, even if the range looks a bit challenging for us older folk. I did notice the awkward detours around male pronouns--then you see Father and Son are also scarce. (Diety in many modern hymns and prayers if mentioned is gender neutral and described by function.) The exceptions are Spirituals, or something very old and unsingable from the Didache or possibly a Latin chant. This removal of the male pronouns puts a heavy burden on the overworked first person pronoun--I, me, my, we, us, etc. Then the gender and diversity themes start to rise.

Oh, Praise the Gracious Power (Text by Thomas H. Troeger, b. 1945)

vs. 3
Oh, praise inclusive love,
encircling ev'ry race,
oblivious to gender, wealth,
to social rank or place.

This one will probably not make the next cut (after all, this hymnbook is already 13 years old and missed the gay marriage battle).

As Man and Woman We Were Made (Text by Brian Wren, b. 1936)

As man and woman we were made
that love be found and life begun
so praise the Lord who made us two,
and praise the Lord when two are one:
praise for the love that comes to life
through child or parent, husband, wife.

This one is quite scriptural, but I haven't tried to sing it.

"I Am the Bread of Life" (text: John 6, adpt. S. Suzanne Toolan, SM, b. 1927)

"I am the Bread of life.
You who come to me shall not hunger,
and who believes in me shall not thirst.
No one can come to me
unless the Father beckons."
"And I will raise you up,
and I will raise you up,
and I will raise you up
on the last day."

I say Amen to that!

Some familiar gospel hymns appear too, always a joy to read through, such as "Softly and Tenderly Jesus is Calling," or the wonderful sending hymn (Welsh tune) we often use at UALC, "Go, My Children, with My Blessing," or the great Fanny Crosby's "Blessed Assurance." She was blind and wrote 8,000 hymns, so it would be difficult to leave her out of a hymnbook that wants greater representation by women. I also hummed through a few toe tapping Catholic hymns we sing in Cursillo.

Fifty years and beyond

Today I came across a good story in a religious journal over 100 years old (Evangelical Visitor, Brethren in Christ, 1887), so I googled its source to see if it was on-line (so I wouldn't have to retype it). Google has scanned many old books, so I did find "Fifty years and beyond; or gathered gems for the aged," by S.G. Lathrop, 1881 (has been reprinted in 2007--the boomers are entering old age!). The story reminds me very much of one I've heard Pastor John Stolzenbach (UALC) tell of his ministry to some of our older members, who although they may have dementia and don't remember their own family members, remember the words to hymns, liturgy and Bible verses they learned long ago.

The author tells of singing the song of salvation with a 98 year old man--"quick [modern] music loses its charm" (even in 1881)--and then goes on to tell this story. From the chapter, "The Lord is my strength and my song." p. 140

"Do you know me?" said the wife to her aged husband who was dying. He said, "No."

And the son said, "Father, do you know me?" He said, "No."

The daughter said, "Father, do you know me?" He said, "No."

The minister of the Gospel standing by, said, "Do you know Jesus?" "Oh yes," he said, "I know him, 'chief among ten thousand, and one altogether lovely'."

Blessed be the Bible in which spectacled old age reads the promise. "I will never leave you, never forsake you." Blessed the staff on which the worn out pilgrim totters on toward the welcome of his Redeemer. Blessed the hymn-book in which the faltering tongue and the failing eyes find Jesus, the old man's song."

Easy listening

This morning I checked a CD out of the church library called, "Listening to Luther," published by Concordia Publishing House, $14.99. It is delightful. I recommend it for your public library, church library, or your personal library. I wasn't confirmed in the Lutheran Church, so I didn't have the privilege of using Luther's Small Catechism, until a few years ago when it was used in one of our adult classes. We joined our congregation (formerly ALC, now ELCA) in 1976 and the catechism book we used was a mish-mash, rewrite with trendy 70s illustrations and photos. What a waste when we could have used the real thing!

Product Description
A wonderful devotional or personal study aid, this recording includes the Six Chief Parts from Luther's Small Catechism, Daily Prayers, Table of Duties, and the Christian Questions with Their Answers and the six catechetical hymns by Martin Luther. Also included is Luther's hymn, "Lord, Keep Us Steadfast in Your Word."

A 12-page booklet explains the history of the Small Catechism and Luther's hymns, and lists complete text for all hymns.

Written by Martin Luther in 1529 in question and answer format, the Small Catechism explores Six Chief Parts of Christian Doctrine: The Ten Commandments, the Apostles’ Creed, the Lord’s Prayer, the Sacrament of Holy Baptism, Confession, and the Sacrament of the Altar. Also included are daily prayers, a table of duties for Christians in their various callings in life, and a guide for Christians to use as they prepare to receive Holy Communion. Luther intended the catechism to be a prayer book for individuals and families and a powerful tool for the Christian life because it provides a brief, clear summary of God’s Word on the essentials of the Christian faith.

395

The new Lutheran hymnal

In our congregation, I haven't heard anything about the new hymnal for ELCA, although from time to time I read about it on the internet. These things take a long time to work through, and our congregation does very little that other Lutherans would recognize anyway, so we are not the audience. At our Mill Run location, there are no hymnals. I use the hymnal for hymns if it matches what's on the screen just because I hate to totally lose my music reading ability; occasionally it is needed for liturgy, but not often. So what I have here are comments (used with permission) excerpted from an e-mail from another Lutheran, a choir director in another denomination, who does know music and liturgy and attended a regional workshop:

"There were 141 registered; majority was made up of pastors, choir directors and those interested in ELCA worship. The presentation team consisted of 5 pastors and 2 laymen from the Northern Illinois Synod. They went through one complete service setting as well as playing a very fine DVD hosted by Rev. Mark Hanson on the birth and completion of this new hymnal.

From the voices around me, I knew I was in the company of people who love to sing, know how to sing and have little trouble with rhythm or range.

I was impressed with the amount of information contained in this new hymnal. The line drawings, alone, were worth the price of the book.

But I came away feeling that those who put the hymns together did not give much consideration to range: many ran up to Ds, Es and even Fs on the treble clef. Too high for most congregations.

And the number of choices of service settings, prayers and responses was overwhelming. Putting hymns from WOV and the purple Hymnal Supplement into this new ELW was a great idea, but they overdid it on the liturgical variety.

I know it's been over 30 years since the green hymnal publication but I left the meeting wondering if the cost to each congregation was worth the gain in newer, more contemporary hymns and ten Holy Communion settings."

Ten communion settings? Silly me, we're lucky at our church to use one and only the older people know it. I'm almost afraid to see what 10 different settings can do to gender-free pronouns.